Meet the founders
Jenna, Co-founder
Sagittarius sun, Aries moon, Leo rising
Jenna Scott is the founder of Stars Etc. LLC, an astrologically oriented production company she started in 2022 as a home for her mystically and intellectually aligned creative projects, which includes Coven (podcast), Stars Etc magazine (currently Cosmic Updates and Words on Substack), and now, Planets Perfumery. A writer, musician, and astrologer, Jenna began her in-depth study of tropical astrology in 2019, training across both archetypal and traditional schools, and is currently pursuing a master's in Philosophy, Cosmology, and Consciousness at the California Institute of Integral Studies. The heart of her work is embodied and intentional storytelling, through whatever medium it may express.
Read below for our Q&A with Jenna!
A: The most rewarding part of astrology to me is the connection to the archetypes, and finding ways to translate these ancient, intangible, ubiquitous energies into something that humans can understand, not just intellectually but intuitively. I love finding archetypal patterns and energy everywhere, it’s like a life-long scavenger hunt.
A: It’s so much more embodied! My other creative mediums largely involve writing, which is inevitably to some degree intellectual and mind-oriented. The fragrances are inspired entirely by feelings and intuitive images that come in from the archetypes we work with.
A: It always changes…daily, weekly, seasonally, hourly. It depends what energy I want to draw on at that moment. Most days, lately, I’ve been drawn to Mars, because I’ve wanted to step into a more empowered, confident, and energized role. With all of them, though, I love that I know I’ll most likely be the most interesting smelling person in the room!
A: It’s everything! Mythology is deeply connected to the archetypal realm, though they aren’t the same thing. Mythology is like the sociological expression of archetypal currents. Both transcend time, but mythology can also act as an archetypal expression of a particular time. Perfume is an incredibly powerful way to work with the elements to bring these archetypal essences into the senses. It is inherently magical, as it works with the Earth, using literal alchemy to translate ancient ideas into something we can directly experience. I think of magic as focused intention, and try to incorporate it in my life whenever possible, while carefully protecting my energy and making sure that my intentions are clear and align with my deepest values.
Coco, Co-founder
Sagittarius sun, Aquarius moon, Leo rising
Socorro “Coco” Erekani Carrillo-Lopez is an archetypal astrologer, artist, feminist scholar, writer, and co-founder of Planets Perfumery. She holds a BA in Gender and Women’s Studies from UC Berkeley and a master’s degree in Philosophy, Cosmology, and Consciousness from the California Institute of Integral Studies. Her academic work explores astrology through feminist and decolonial frameworks, with particular attention to archetypal consciousness, marginalized ways of knowing, and the relationship between the symbolic world and lived experience. Coco has also spent more than thirty years in the beauty industry as a hairstylist and salon owner, a background that deeply informs her understanding of beauty as embodied, relational, and transformative. Her work across astrology, scholarship, beauty, and now fragrance is connected by the same curiosity: how understanding ourselves, adorning ourselves, and curating our style can become practices of greater awareness and agency.
Read below for our Q&A with Coco!
A: I’ve always been interested in astrology, but my deeper exploration of the archetypal world actually began through tarot. At a very difficult point in my life, studying tarot became a way of accessing unconscious material, and eventually led me to deep dives into astrology. It helped me understand myself differently and, quite literally, helped me turn my life around. Once I experienced the power of working with archetypes, I wanted to understand that world more deeply and eventually share it with others, particularly women and marginalized communities.
This eventually took me back to school, where I earned my degree in Gender and Women’s Studies from UC Berkeley, where I began recognizing extraordinary connections between feminist theory and the archetypal world. Thinkers like Gloria Anzaldúa showed me that these ways of knowing did not have to exist separately from rigorous intellectual and political thought. Astrology eventually became my primary practice because I came to understand it as a kind of map to the archetypal world. It can help us recognize unconscious patterns, psychological complexes, and the deeper forces influencing how we understand ourselves and the choices we make. For me, becoming conscious means developing enough awareness to recognize when these patterns and complexes are operating in the background, so that we have greater agency in how we engage with them and the world. Astrology also opened a doorway into an enchanted world that I believe dominant white supremacist, capitalist, patriarchal culture has worked to discredit and suppress. Reclaiming practices like astrology is therefore deeply connected to feminism because it offers another way of knowing ourselves and relating to the world.
A: One of my favorite things about astrology is knowing that I will never know everything there is to know about it. I could spend every minute of every day studying astrology for the rest of my life and still continue to discover something new. There are thousands of years of history, techniques, traditions, symbols, and ways of interpreting the sky, and the deeper I go, the more expansive it becomes. Astrology requires humility. There is no point at which I get to declare that I have mastered it. I can become more skilled and knowledgeable, but there will always be another layer to uncover or another way to understand something I thought I already knew. That endlessness keeps astrology alive for me.
But if I had to choose one specific thing astrology has taught me that has changed the way I live my life, it would be that things are never simply “good” or “bad.” What initially appears "good" can lead to a challenge, and what appears "bad" can open a path toward something wonderful that we could never have anticipated. One illuminates the other. Astrology has taught me to resist making immediate judgments about an experience simply because I cannot yet see where it is leading. Mercury retrograde is a simple example. Popular culture treats it as something inherently bad or something to fear, but I don’t experience it that way. It's an invitation to slow down, review, reconsider, and pay attention. That doesn’t mean difficult experiences aren’t difficult, it just means I don’t necessarily know where that experience might ultimately land me. My Indigenous Purépecha mother has said to me throughout my life, “Let go of the grass on the banks of the river. Just float and see where it takes you.” Astrology has helped me understand what she means. More than anything, it has taught me surrender and trust: to pay attention to what is happening without needing to immediately decide whether it is good or bad, and to leave room for meaning to unfold.
A: Honestly, I choose a different one every day, or sometimes layer two or all three at once. And I’m not just saying that because they’re ours. I genuinely choose which one or two or all three to wear based on what I feel I need that day. When I need energy or courage, I reach for Mars. When I need to communicate clearly, whether I’m writing, singing, giving a talk or lecture, or sharing something publicly, I reach for Mercury. And when I want to feel beautiful, sensual, relational, or spend time with the wonderful man I love, my partner Chris, I wear Venus. I experience each of them differently. When I was finishing grad school, I was completely burnt out and felt like I had run out of words, but then I sprayed some Mercury and suddenly found myself writing until four in the morning. Mars makes me feel courageous. And when I wear Venus, let’s just say my husband notices. That is actually what I love most about the perfumes. For me, choosing one is an intentional way of engaging with a particular planetary archetype. I ask myself what I need that day, what energy I want to connect with, and then I get to wear it on my body.
This is also why I think Jenna’s original vision for Planets Perfumery is so brilliant. We talk a lot about wanting to live in a more peaceful world, and I believe part of getting there requires greater awareness of ourselves and greater intentionality about how we move through the world. Planets Perfumery introduces that practice almost secretly, and is, in a way, a beautiful delivery system for consciousness. Folks don’t have to know anything about astrology to stop in the morning and ask: "What do I need today? Courage? Clarity? Connection?" That moment is an act of awareness; paying attention and consciously choosing how to meet the day. In that sense, the perfume becomes a kind of portal into intentionality. Someone may initially be drawn to Planets Perfumery simply because they love the fragrance, but embedded within Jenna’s vision is an invitation to become more conscious of themselves and their relationship to the world around them.
A: My relationship to mythology and magic is deeply connected to my relationship with astrology. I understand mythology as one of the ways human beings have always made meaning of experiences that are difficult to describe. Myths give form to the archetypal patterns we continue to encounter in ourselves, our relationships, and the world around us. The stories may be ancient, but the archetypes are very much present and alive. Magic, for me, is intentionality, attention, and participation. I don’t experience the world as something separate to observe from a distance. We are in relationship with it. When we consciously engage an archetype, through astrology, ritual, scent, tarot, or another esoteric symbolic practice, we are choosing to participate in that relationship with greater awareness.
For me, this is also where feminism enters the conversation. I’m interested in ways of knowing that have historically been dismissed as irrational, superstitious, feminine, primitive, or unserious because they do not conform to the dominant Western idea of what constitutes legitimate knowledge. Myth, magic, intuition, divination, the body, and the senses have all occupied that contested territory. Part of my work has been asking what becomes available to us when we stop automatically dismissing those forms of knowledge. Perfume is especially powerful because scent is immediate and embodied. You can intellectually study the archetype of Venus for years, but smelling something that evokes Venus creates an entirely different kind of encounter. The body responds before finding the words for the experience. That is where mythology, magic, astrology, and perfume meet for me. Each offers a different doorway into the archetypal world. And perhaps that is what I understand magic to be: the moment when something that seemed invisible or abstract becomes perceptible enough that we can enter into relationship with it. Planets Perfumery allows us to put that experience on our skin.
Mauricio, Co-founder & Perfumer
Taurus sun, Gemini moon, Taurus rising
Mauricio Garcia is an animistic perfumer based in South San Francisco, drawing inspiration from the fragrant ecology of San Bruno Mountain and the Pacific West Coast. He aims to nourish relationships between plants, people and the more-than-human world, with work rooted in perfumery’s ancient origins, botanical occultism and artfulness. Mauricio draws upon 18 years of working with and learning from herbalists, medicine makers, master craftswomen of perfumery, spiritual practitioners, environmental activists and, of course, plants and spirits themselves. He is an advocate for perfumery’s stewardship of the environment and its reclamation as a sacred substance.
Read below for our Q&A with Mauricio!
A: Eau d’Esprit means “Spirit Water.” This is often how magical perfumes and infusions are referred to in a variety of traditions and languages. The intention behind the fragrances is for them to be conjurations of the archetypal energies of the planets and a means for people to anoint themselves with these energies, for whatever they desire. Perfumes are sorcerous substances: the spell is the perfume and the perfume is the spell.
A: My scent-crafting process begins with a lot of dreaming and paying attention. My perfumes are meant to be embodiments of specific energies, and things you’re looking at tend to look back. I make offerings to the appropriate spirits, and themes I’m considering will often appear as scents, plants, textures, incidents and inspiration, which coalesce into olfactive impressions. I reflect on and research the botanical species that keep coming to mind, and their folklore and mythologies. When I’m blending, my altar is lit and—as counter-intuitive as it may sound—smoldering with some incense. I also always play music, sometimes specific artists or albums, or just a specific vibe—depending on what the fragrance wants. I also work on perfumes on specific days and during specific planetary hours, and they are charged under the Moon and astrological events.
A: The perfume I’m drawn to on the day-to-day is Venus (surprise, surprise). I could go on about how Venus is the ruling planet of my personal astrology or how she is the goddess of perfume (and I guess I just did), but I also really just like the scent. The effervescent champagne, the leafy fig and herb notes that call to mind the undersides of sunlit leaves, and the precious florals and ambers that float on skin. I also love the way Venus drifts across your awareness throughout the day, just like a flower.
A: In my mind, they are facets of the same thing. Myths, legends, folklore, and spiritual and magical systems provide us with paradigms with which to engage forces or themes that seem to have always fascinated humanity, and that we see reflected in the biosphere. The rose reflects the path Venus takes in the sky, jasmine and Aphrodite her seductive and intoxicating qualities, and cacao was offered as nourishment for North American gods, spreading knowledge and relationships through trade. These stories, histories, energies, scents and qualities coalesce into archetypes and our perfumes. In myth and magic, Venus is the mother of perfumes and wishes (the root of Venus is the proto-Indo-European word for wish), and so everything I do is done by Her favor. Magic is a wish that has come true: the weave of reality warped in your favor by those who weave it. We are certainly weavers, but so is the rest of the world—living and dead, seen and unseen.